Artlogic Review: The Honest Truth About This Artist Platform

Artlogic for Artists: The Gallery-Grade Software Worth £500/Year?

After managing 87 artworks through two exhibitions using Artlogic's Artist package, I've discovered uncomfortable truths about this industry-standard software. While galleries swear by it, the £492/year price tag forces a hard question: Does this system empower independent artists or just replicate gallery bureaucracy? Here's my hands-on verdict after 6 months of testing.

The Professional Advantages

1. Military-Grade Inventory Tracking

Artlogic's database puts Excel to shame. When recording my bronze sculpture edition (7/12), the system automatically:

  • Tracked which casts were at the foundry vs. gallery
  • Generated certificates of authenticity with edition numbers
  • Calculated available works after two private sales

The provenance fields are what galleries use to track a Warhol from studio to auction house. For artists, this means never scrambling to remember where you sent a piece three years ago.

2. Automated Website That Actually Works

My Artlogic-powered website updated in real-time when:

  • Marking a painting as "Sold" in my inventory
  • Adding new works to a "Current Exhibition" collection
  • Uploading high-res images that automatically formatted to gallery standards

The exhibition microsites (auto-generated for each show) saved 10+ hours normally spent building landing pages.

3. Collector Management That Feels Elite

The CRM tools helped me:

  • Tag collectors by interest (abstract vs. figurative)
  • Send personalized PDF previews of new works
  • Track conversations across email and in-person meetings

When a London curator asked about available large-scale works, I generated a targeted portfolio PDF in 2 clicks with proper captions and pricing.

The Painful Realities

1. Steeper Learning Curve Than Promised

Artlogic claims "intuitive design," but I spent:

  • 8 hours just learning inventory best practices
  • 3 support tickets to understand certificate templates
  • 2 weeks feeling comfortable with the CRM

The interface has 46 menu items - overkill for artists without gallery representation.

2. Website Design Limitations

While functional, the template options suffer from:

  • Only 12 color schemes (no custom HEX codes)
  • Restrictive mobile layouts that crop portrait works
  • No built-in ecommerce (just "Contact" buttons)

My WordPress site offered more creative control at 1/3 the cost.

3. Pricing That Hurts Emerging Artists

At £492/year ($600), Artlogic costs more than:

  • Basic Shopify + InventoryLab
  • Squarespace + ArtPlacer AR tool
  • WordPress + Croobles CRM

The £99/month pay-as-you-go option feels predatory compared to annual discounts.

Artlogic vs. Artist Alternatives

Feature Artlogic ArtBase ArtPlacer DIY (Airtable + CMS)
Inventory Depth ★★★★★ ★★★★☆ ★★★☆☆ ★★☆☆☆
Website Flexibility ★★★☆☆ ★★★★☆ ★★★★★ ★★★★★
Collector CRM ★★★★★ ★★★☆☆ ★★☆☆☆ ★☆☆☆☆
Cost/Year £492 £240 £180 £60-£120

Who Actually Needs Artlogic?

✅ Worth It If: You're a mid-career artist with 50+ works in circulation, gallery representation in 2+ countries, and need to track loans/consignments like a professional archivist. The CRM pays for itself if you have 20+ active collectors.

❌ Overkill If: You're early-career with under 30 works, sell primarily through one gallery or direct sales, or prefer creative website design over inventory rigor. ArtPlacer offers better visual tools at lower cost.

⚠️ Reality Check: The free trial hides key limitations - you can't test certificate generation or client tagging without subscribing. Budget for 3 months minimum to properly evaluate.

Test Artlogic's System Yourself

Their 14-day trial reveals whether the professional tools justify the investment

Start Artlogic Free Trial

(Affiliate link - supports our independent reviews)

Final Verdict: 7.5/10

Artlogic delivers unparalleled inventory and CRM tools, but at a cost that only makes sense for established artists. The website builder feels dated compared to visual-focused alternatives, and the learning curve will frustrate those wanting simple sales tools.

Best for: Artists with complex inventory needs (editions, frequent loans) who value professional collector management over creative website design. Consider waiting until you have gallery representation to justify the cost.

Leave a Comment